(1998) Book XX: Encore: On Feminine Sexuality, The Limits of Love and Knowledge, the Seminar of Jacques Lacan, Book XX. (1991/2007) The Other Side of Psychoanalysis, the Seminar of Jacques Lacan, Book XVII. Originally published in Lacan in Italia 1953–78 (1978). (1938) The family complexes in the formation of the individual. (2017) Raw director Julia Ducournau: ‘Cannibalism is part of humanity’. (1921/2001) Group Psychology and the Analysis of the Ego. (1914/2001) On narcissism: an introduction. (1905/2001) Three Essays on the Theory of Sexuality. Grigg (eds.) Jacques Lacan and the Other Side of Psychoanalysis: Reflections on Seminar XVII. (2007) More thoughts for the times on war and death: The discourse on capitalism in seminar XVII. Winchester, UK: O Books.įlower McCannell, J.
#RAW JULIA DUCOURNAU MOVIE#
(2017) ‘Raw’ review: Cannibal coming of age movie is a modern horror masterpiece. (2005) Baby bitches from hell: Monstrous little women in film. Pavón-Cuéller (eds.) Lacan, Discourse, Event: New Psychoanalytic Approaches to Textual Indeterminacy.
(2014) The discourse of the markets or the discourse of psychoanalysis: A forced choice. Cambridge, UK: Polity Press.īraunstein, N. (2007) Liquid Times: Living in an Age of Uncertainty. (2017) A French cannibal horror film has a surprisingly feminist message. Using Lacanian discourse theory, and specifically Lacan’s fifth discourse on capitalism, I assess the film’s gloomy meditation on the dehumanizing, anti-social, and dissatisfying nature of hypermodernity with its imperatives to enjoy a seemingly endless supply of object-commodities, and explore what the film articulates about contemporary modes of dealing with jouissance and the implications for the woman subject.Īdams, P.
“Non-rapport” is Lacan’s term for the real, non-representable gap at the heart of sexual relationships and is what causes discourses which delimit social bonds and modes of enjoyment ( jouissance). This paper assesses the themes of spectatorship, consumption, womanhood, sublimation, jouissance, and sexual non-rapport elicited by the film. The film is an unsettling account of a young woman whose subjective emergence into cannibalism occurs in a sadistic world of “Dionysian excess” at university. The French film Raw (2016), written and directed by Julia Ducournau, has received critical acclaim as a contemporary female coming-of-age horror film with feminist and critically reflective leanings.
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